For a couple of decades, Danilo Duenas has been meshing the tradition of geometrical abstraction with an understanding of painting as an expanded field. For his show at Locust, Duenas will produce a room-sized, site-specific painting out of vinyl tapes. At once minimal and expansive, a painting and an installation, space-gobbling and almost not there, Duenas’s piece is the sort of subtle gesture that can knock you out as you’re driving back home or two weeks after you’ve seen the show. Like our better epiphanies, its brilliance surfaces slowly and burns long.
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