For her installation, Remnants, Johnson will transform the Mobile Studio into a physical space to inform, heal, and offer counter-narratives that commemorate Black women and girls and celebrates their role in the community; a place where they can feel seen, apart from the world that continues to silence them and deem them invisible. In the words of poet Nayyirah Waheed, “All the women in me are tired”. An offering to Black women, Remnants responds to this collective experience by providing a place for all of these women in us to rest, normalize vulnerability, and dismantle the myth of the Black Superwoman while also reconnecting with and honoring our mothers, our mothers’ mothers and their mamas too. The installation pays its respects to Black women through altars that include photos from the artist’s matriarchy alongside traditional elements from the West African Yoruba cosmology that can be found and gathered in neighborhood botanicas and Dollar Stores. Everyday objects and decorations such as sequin, lace, and cowrie shells are offered as tributes together with hair beads, gold bamboo earrings, and mirrors – objects found in local beauty supply stores and used in women’s’ daily life to adorn and enshrine.